Outils

Bibliographie : la recherche française sur l'art des Etats-Unis  

Ouvrages généraux - publications américaines

Dictionnary of American Art, New York, éd. HarperCollins/Icon Editions (édition revue et corrigée), 1996.
Milton W. Brown, et al., American Art: Painting, Sculpture, Architecture, Decorative
Arts, Photography (New York: Harry N. Abrams, 1977).
 
David Bjelajac, American Art: A Cultural History, 2nd ed. Upper Saddle River, NJ, Pearson Prentice Hall, 2005.
Wayne Craven, American Art, History and Culture, Madison, Wis., Brown and Benchmark, 1994.
Annie Cohen-Solal, Painting American: The rise of American artists, Paris 1867 – New York 1948, New York, Alfred A. Knopf, 2001.
Wanda Corn, ‘Coming of Age: Historical Scholarship in American Art’, Art Bulletin 70.2, 1988.
 
Wanda Corn, ‘Coming of Age: Historical Scholarship in American Art’, Critical Issues in American Art: A Book of Readings, ed. Mary Ann Calo, Boulder, Westview Press, pp.1-34, 1998,
 
John Davis, ‘The End of the American Century: Current Scholarship on the Art of the
United States’, The Art Bulletin 85. 3, p 544-580, September 2003.
 
Susan Grant,  “Whistler’s Mother was not Alone: French Government Acquisitions of American Paintings, 1871-1900,” Archives of American Art Journal. Volume 32, Number 2, (1992): 2-15.
 
Andrew Hemingway, ‘American Art Pre-1940 and the Problem of Art History’s Object’,
Internationalizing the History of American Art (Pennsylvania: Pennsylvania State
University Press, 2009), pp.61-79.
 
Elizabeth Johns, ‘Scholarship in American Art: Its History and Recent
Developments’, American Studies International 22 (1984): 3-40.
 
Russell Jones,  “American painters in Paris: the rate of exchange, 1825-48,” Apollo, Vol CXXXV, no. 360. (February 1992): 73-77.
Marianne Doezema and Elizabet Milroy, Reading American Art, New Heaven, Conn., Yale University Press, 1998.
Lois Marie Fink, American Art at the nineteenth century Paris Salon,Washington, National Museum of American Art, Cambridge University Press, 1990.
Thomas H. Gaehtgens, Heinz Ickstadt, American Icons: Transatlantic Perspectives on Eighteenth and Nineteenth Century American Art, Los Angeles, Getty Center for the History of Art and the Humanities, University of Chicago Press, 1992.
Barbara Groseclose, Nineteenth Century American Art, Oxford, UK, Oxford University Press, 2000.
Robert Hughes, American visions: The epic History of Art in America, New York, éd. Alfred A. Knopf, 1997.
Patricia Kane, Colonial Massachusetts Silversmiths and Jewelers, 1998.
Michael Leja, Looking Askance: Skepticism and American Art from Eakins to Duchamp, Berkeley, Californie, University of California Press, 2004.
David Lubin, Picturing a Nation: Art and Social Change in Nineteenth-Century America, New Haven and London, Yale University Press, 1994.
 
JohnW. Mc Coubrey, American Art, 1700-1960: Sources and Documents; Englewood Cliffs, NJ, Prentice Hall, 1965.
Angela Miller, et al., American Encounters: Art, History, and Cultural Identity, ed.Upper
Saddle River, Pearson Prentice Hall, 2008.
 
Linda Nochlin, The Politics of Vision: Essays on Nineteenth Century Art and Society, New York, HarperCollins, 1991.
Barbara Novak, American Painting in the Nineteenth Century: Realism, Idealism, and
the American Experience, 3rd ed. Oxford, Oxford University Press, 2007.
 
Frances K. Pohl, Framing America: A Social History of American Art, New York Thames & Hudson, 2002.
Jules Davis Prown and Barbara Rose, American Painting: from the colonial Period to the present, New York, éd. Rizzoli, 1977.
Harold Spencer, American Art: Readings from the colonial Era to the Present, New York, Charles Scribner’s Sons, 1980.
John Wilmerding, American Views: Essays on American Art, Princeton, NJ, Princeton University Press, 1991.
Bryan G. Wolf, Romantic Re-Vision: Culture and Consciousness in Nineteenth Century American Painting and Literature, Chicago, University Press, 1982.
Barbara Weinberg, The Lure od Paris, Nineteenth century American painters and their French teachers, éd. River Press, Abeville Press, New York, 1991.