Salon de la Société National des Beaux-Arts, Paris, 1898, n° 157;
Augustus Saint-Gaudens 1848-1907: Un maître de la sculpture américaine, Toulouse, Musée des Augustins, 12 février - 30 mai 1999, Blérancourt, Musée National de la coopération franco-américaine, 26 juin - 18 octobre 1999, n° 68. Voyez aussi n° 67 et 68 (oeuvres en proche rapport).
SAINT-GAUDENS, Augustus
Dublin, Ireland, 1848 - Cornish, New Hampshire, 1907
Came to the United States as a child.
Robert Louis Stevenson
MEDOR 1436
1899
Bronze medal, black patina
D: 0, 34 m.
Paris, Musée d'Orsay
To the left of the figure: three horizonal stanzas of a poem:
YOUTH NOW FLEES ON FEATHERED FOOT / FAINT AND FAINTER SOUNDS THE FLUTE / RARER SONGS OF GOD AND STILL / SOMEWHERE ON THE SUNNY HILL / OR ALONG THE WINDING STREAM / THROUGH THE WILLOWS FLITS A DREAM / FLITS BUT SHOWS A SMILING FACE / FLEES BUT WITH SO QUAINT A GRACE / NONE CAN CHOOSE TO STAY AT HOME / ALL MUST FOLLOW ALL MUST ROAM /
THIS IS UNBORN BEAUTY SHE / NOW IN AIR FLOATS HIGH AND FREE / TAKES THE SUN AND BREAKS THE BLUE / LATE WITH STOOPING PINION FLEW / RACING HEDGEROW TREES AND WET / HER WING IN SILVER STREAMS AND SET / SHINING FOOT ON TEMPLE ROOF / NOW AGAIN SHE FLIES ALOOF / COASTING MOUNTAIN CLOUDS AND KISSED / BY THE EVENING'S AMETHYST /
IN WET WOOD AND MIRY LANE / STILL WE PANT AND POUND IN VAIN / STILL WITH LEADEN FOOT WE CHASE / WANING PINION FAINTING FACE / STILL WITH GREY HAIR WE STUMBLE ON / TILL BEHOLD THE VISION GONE / WHERE HATH FLEETING BEAUTY LED / TO THE DOORWAY OF THE DEAD / LIFE IS OVER LIFE WAS GAY / WE HAVE GONE THE PRIMROSE WAY
To the left of the first stanza: TO ROBERT LOUIS STEVENSON
To the right of the first stanza: AUGUSTUS SAINT -GAUDENS
Beneath the third stanza: MDCCCLXXXVII
Medals
From 1865 to 1900
Purchased from the artist for the Musée du Luxembourg, 1899.
Robert Louis Stevenson (1850 - 1894) was a Scottish poet and writer. He posed for this portrait in New York in Septembr of 1887.
Other casts: American Academy of Arts and Letters; Coffee House Club, New York City; Indianapolis Museum of Art, Indianapolis, Indiana; Metropolitan Museum of Art, New York City; Princeton University Library, Princeton, New Jersey; Saint-Gaudens National Historic Site, Cornish, New Hampshire; Robert Louis Stevenson School, Pebble Beach, California; Textile Museum, Washington, D.C.; Upland Country Day School, Kennett Square, Pennsylvania; collections particuliers, Bronxville, New York et Plainfield, New Hampshire; American Friends Service Committee, Davis House, Washington, D.C.; American Numismatic Society, New York City; Amherst College, Mead Art Museum, Amherst, Massachusetts; Anglo-American Museum, Baton Rouge, Louisiana; Bowdoin College, Brunswick, Maine; Carnegie Institute Museum of Art, Pittsburgh, Pennsylvania; Art Institute of Chicago, Chicago, Illinois; Dublin Municipal Art Gallery, Dublin, Ireland; Gilcrease Institute of History and Art, Tulsa, Oklahoma; Johns Hopkins University, Baltimore, Maryland; Houghton Library, Harvard University, Cambridge, Massachusetts; Louisiana State University, Baton Rouge, Louisiana; Metropolitan Museum of Art, New York City, New York; University of Miami Library, Miami, Florida; National Academy of Design, New York City, New York; New York Historical Society, New York City, New York; Rose Nichols House Museum, Boston, Massachusetts; Players' Club, New York City, New York; Princeton University Library, Princeton, New Jersey; Saint-Gaudens National Historic Site, Cornish, New Hampshire; Silverado Museum, St. Helena, California; Saint Louis Art Museum, St. Louis, Missouri; Robert Louis Stevenson School, Pebble Beach, California; Yale University, Beinecke Library, New Haven, Connecticut, collections particuliers, Hartsdale, New York; New York City, New York; Old Saybrook, Connecticut; Philadelphia, Pennsylvania; Pittsburgh, Pennsylvania; Santa Fe, New Mexico; Weston, Massachusetts.
Bond, pp. 76-78;
C. Louis Hind, 1887;
Hollingsworth;
Greenthal, pp. 119-22;
Wilkinson, pp. 173-83, 370, 397-98;
"Paris Studio Talk (Exhibition of the Société Nationale des Beaux-Arts), " The Studio, vol. 14, July 1898, p. 139;
Gaston Migeon, "Le sculpteur Augustin Saint-Gaudens, " dans Art et décoration, t. V, janvier - juin 1899, p. 49, repr.;
S. Colvin, ed., The Letters of Robert Louis Stevenson, London, 1900, vol. 2, pp. 289-90, 305-06, 340;
C. Roger Marx, Les Médailleurs Modernes à l'Exposition Universelle de 1900, Paris, 1901, repr. pl. 28;
C. Roger Marx, "The Medallists' Art as Seen at the Paris Exhibition, " The Studio, vol. 22, May 1901, p. 230;
Royal Cortissoz, Augustus Saint-Gaudens, Boston and New York, 1907, pp. 17-18, 25 (repr. p. 25);
C. Louis Hind, Augustus Saint-Gaudens, London, 1908, pp. XXVII-XXVIII, XL-XLI;
Will C. Low, A Chronicle of Friendship, New York, 1908;
Catalogue of a Memorial Exhibition of the Works of Augustus Saint-Gaudens, Metropolitan Museum of Art, New York City, 1908, p. 62, n° 119;
L. Forrer, Biographical Dictionary of Medallists, vol. II, London 1909, p. 255 (215?), vol. V, London, p. 300;
H. Saint-Gaudens, ed., Reminiscences of Augustus Saint-Gaudens, Century Co., New York, 1913, vol. I, pp. 367, 373-89; vol. II, pp. 125-29, 227, 297;
Lorado Taft, Modern Tendencies in Sculpture, University of Chicago Press, Chicago, Illinois, 1917, repr. p. 283;
André Dezarrois, "Le Musée des écoles étrangères, " Le Revue de l'Art ancien et moderne, 1926, vol. 49, p. 160-172, p. 168;
Trois siècles d'art aux Etats-Unis: Exposition organisée en collaboration avec le Museum of Art, New-York, Musée du Jeu de Paume, Paris, 1938, p. 51;
Ronald Alley, Tate Gallery Catalogue: the Foreign Paintings, Drawings, and Sculpture, London, 1959, n° 3431,
John H. Dryfhout, "Robert Louis Stevenson, " in Metamorphoses in Nineteenth-Century Sculpture, Fogg Art Museum, Harvard University, 1975, pp. 187-200;
Jeremy Cooper, Nineteenth-Century Romantic Bronzes, 1830-1915, London, 1975, repr. p. 14;
"Editorial: Mount Parnassus, " Apollo, mai 1980, repr. p. 344;
The Register of the Spencer Museum of Art, University of Kansas, Lawrence, vol. V, n° 10, spring 1982, repr. p. 122;
John H. Dryfhout, The Work of Augustus Saint-Gaudens (catalogue raisonné) Hanover and London, University Press of New England, 1982, pp. 174-76, n° 132 repr., 261-63, n° 188 repr.;
Marble and Bronze: 100 Years of American Sculpture 1840-1940, Washington, D.C., Adams Davidson Galleries, 1984, n° 10;
Kathryn Greenthal, Augustus Saint-Gaudens, Master Sculptor, New York,
Metropolitan Museum of Art, Boston, G.R. Hall & Co., 1986, pp. 89-90, 119-23, 174;
Kathryn Greenthal, Paula M. Kozol, Jan Seidler Ramirez, American Figurative Sculpture, Museum of Fine Arts, Boston, 1986, pp. 242-44;
Barbara A. Baxter, The Beaux-Arts Medal in America, the American Numismatic Society, New York, 1986 (26 septembre 1986 - 16 avril 1987), p. 29-31.
S. Lindsay and H. H. Reed, The National Sculpture Society Celebrates the Figure, National Sculpture Society, New York, 1987, p. 76 repr.;
Gilbert Sigaux, "Vie de R. L. Stevenson, " dans Robert Louis Stevenson, L'ile au trésor, Paris, Garnier-Flammarion, 1990, pp. 313-329;
Fiona Pearson, ed., Virtue and Vision: Sculpture and Scotland 1540-1990, National Gallery of Scotland, 1991, p. 169;
Viewpoints - European sculpture 1875-1925, Shepherd Gallery, 1991, pp. 38-39;
Paula Freedman, American Sculpture at Yale University, 1992, pp. 155-56;
Augustus Saint-Gaudens 1848-1907: Un maître de la sculpture américaine, Paris, Editions Somogy, 1999, pp. 164-66.